Megyn Kelly mocks Kamala Harris and Michelle Obama for praising Beyoncé's 'Cowboy Carter': 'We have to pretend she's the Second Coming'

Megyn Kelly Vice President Kamala Harris and former First Lady Michelle Obama mocked their celebration of Beyoncé after the two praised the singer for helping highlight the early influence of the black community in country music by Her latest album is “Cowboy Carter”. Kelly added that she felt people “had to pretend” that the multiple Grammy winner resembled the return of Jesus Christ.

“I'm not a big Beyoncé follower. I don't have anything against her… I don't listen to her music,” the conservative host said on “The Megyn Kelly Show.” “But I'm kind of annoyed that whenever she does anything, we have to… Pretend it's the second coming. It's like, oh my God — they're literally calling her “Queen Bey.” It's as if she can do no wrong at all.

“If you criticize her, there's something wrong with you. 'Well, too bad.'” “Deal with it,” Kelly continued. “She's out with a country album now. And of course, these leftist and media bitches pretend that no one has ever done this in any country before Beyonce did it. Country is this wonderful new genre that Queen Bey discovered. “Oh my God, this is amazing.”

The former Fox News personality then called out Harris and Obama specifically while reading out their social media responses to Beyoncé's album.

“The reactions to her album called 'Cowboy Carter,' which just came out, are usually overblown,” Kelly said. “Michelle Obama decided to do an article about it, and Kamala Harris said, 'You've redefined the genre and you've reclaimed the black roots of country music.'” Why did country need to be redefined? What was so wrong that we needed to be saved by Beyoncé?

Kelly continued her remarks, at one point using a dramatic, soothing voice to portray Obama's words. The former First Lady appeared to allude to the struggles and tribulations that black people have historically faced in the United States.

“And that's the same message from Michelle Obama, who says, 'Once again, you've helped redefine a genre of music and transformed our culture,'” Kelly quoted. “You transformed it. 'I'm very proud of you. “Cowboy Carter” is a reminder that despite everything we’ve been through, we still need to be heard, seen and acknowledged.”

“She always finds a way to express how oppressed she is in her tweets and posts,” Kelly added in an offhanded swipe before continuing to quote from the post.

Obama was previously frank about it Experiences with racism. “I'm sure it's very hard for Beyoncé to be unapologetically who she is, with the billions of dollars she and her husband have earned despite this nation's mistreatment of her. “This album reminds us all that we all have power. There is power in our history, in our joy, and in our vote. …What is this? Is this feminism? Is this unfair?

Kelly also criticized Beyoncé's stance on Dolly Parton's song “Jolene.”

“The original 'Jolene' is a story about a woman who feels threatened by another, prettier, more attractive woman. She's basically begging her not to steal her man,” Kelly continued, with criticism that even Beyoncé fans might be more open to — before returning to personal attacks. “Then of course, since it's 'Queen Bey,' we have to change it to 'f-king, take my man, I'll hurt you bh…'…which is a lot more threatening, which is what I think Beyoncé and Team Bey are thinking is what empowerment looks like. In Nowadays, a threatening woman only threatens another woman who she believes may have designs on her life partner.

Kelly concluded her remarks by criticizing today's idea of ​​a “strong woman” and seemingly insinuating that Beyoncé has insecurity issues.

“I have to say, I don't find this encouraging at all…there's something weird about what's going on with the modern definition of what a strong woman is. “You can't have any weaknesses or insecurities,” Kelly said. “You have to be this bad person who threatens, 'F-king a, you're messing with my man.'” And that, to me, is a turnoff… The real power move is not to worry, and there's nothing to worry about. But Beyoncé couldn't get through There… You don't have to tell your story. You're telling a story and this is a version of femininity, where a woman feels insecure, threatened by another, more beautiful woman.

Beyoncé released her eighth studio album, “Cowboy Carter” (also known as “Chapter Two: Cowboy Carter”), on March 29. Since its debut, people online have discussed the album's impact and how the singer revealed the black community's involvement in the genre. The creation of the genre also helped provide a platform for overlooked or lesser-known black country artists.

Beyoncé, who has dabbled in country music before, addressed the criticism that came with her announcement that she would be making a country album before its release. After thanking backers for the album's two pre-release singles, “Texas Hold 'Em” and “16 Carriages,” I continued on about the meaning and success of the album.

“I feel so proud to be the first black woman to have a #1 single on the Hot Country Songs chart,” Beyoncé wrote on March 19. “This would not have happened without the outpouring of support from each and every one of you. I hope that years from now, an artist’s race will be mentioned, while… Regarding the release of music genres, irrelevant.

“This album has been over five years in the making, born from an experience I had years ago where I didn't feel welcome…and it was very clear that I wasn't,” she wrote. But because of that experience, I delved deeper into the history of country music and studied our rich music archive. It's good to see how music can unite so many people around the world, while also amplifying the voices of some of the people who have dedicated so much of their lives to educating about our musical history.

She continued: “The criticism I faced when I first entered this genre forced me to overcome the restrictions imposed on me. “The second chapter is the result of challenging myself, and devoting my time to merging and blending genres together to create this work.”

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